profile

✨ Creative Output Newsletter

✨ My favorite way to do brand deals as an artist

Published 16 days ago • 2 min read

In the world of ads, there's a spectrum of time/effort/cost. On the high end is multi-million dollar TV commercials and on the lower end is someone talking to their phone camera.

As an artist whose job is to create ads for brands, I'm often torn along this spectrum. The artist in me wants to make the highest quality, creative work. While the marketer in me recognizes that candid, lower-lift content can actually perform better on social media.

Here's my favorite way to structure brand deals so that everyone wins - I'm fulfilled as an artist, the brand is happy with the content, and the audience has something enjoyable to watch.

Three Videos in One

I've included a campaign that I did with Intel (below). There are three videos:

  • The Ad
  • The Behind-the-scenes
  • The Clip
  • (I smell an acronym. ABC?)

With the ad, I'm flexing my creative muscles with little care for how it will 'perform' on social media and the most care for the brand/campaign.

The behind-the-scenes is an engaging, two-minute look into how the ad was made. I film a bunch of clips on my phone during production and then sort out a script/edit later on. Bonus points for getting to sneak in some ad read for the brand/product.

The clip is a captivating, no-thought-necessary peek behind the curtain. In my case, a timelapse bringing the ad animation to life.

Why I Like It

On the back end of social media apps, brands can take your post and 'run it as an ad' (there are technical steps to giving them access). So I post the ad, then the brand can serve it to a targeted audience.

The brand wins because they're getting a video that's professional enough to represent the campaign, yet handmade enough to feel right on social media.

And that means I win. I get to do what I do best with success meaning the brand gets a great video asset. However, I do want to gently nudge as much attention as possible toward the campaign.

Within a day or two after posting the ad, I'll post the behind-the-scenes and clip. I like to think of these as 'on ramps' to the main ad. Viewers barely recognize they're watching sponsored content and I'm encouraging them to 'check out the final animation' on my page.

The numbers don't lie. On this specific Intel campaign, the clip has twice as many views (7.1M) as the behind-the-scenes, which has twice as many views (3.2M) as the ad (1.2M). The funnel works.

Conclusion

Ditch the pressure of making one video asset and defining it's success on performance metrics.

Focus your creativity and skill on the main ad, which the brand can put media spend behind (negotiated in contract). Then expand the scope of work to include some supporting assets for you to organically drive attention to the campaign.

Ad:

video preview

Behind-the-scenes:

video preview

Clip:

video preview

Sent with ConvertKit
113 Cherry St #92768, Seattle, WA 98104-2205
Unsubscribe Preferences

✨ Creative Output Newsletter

by Kevin Parry

Revealing the mysterious process of being extraordinarily creative. Each weekly newsletter includes a magical video and the creative secrets of how it was made.

Read more from ✨ Creative Output Newsletter

This week's creative tip: have a place to ask for constructive feedback. Earlier this month, Hashtag Paid hosted a creator marketing event and they were kind enough to let me try out my whacky idea of animating stop-motion live. I posted the animation on my free Patreon page and asked for honest feedback - good and bad. I received about two dozen really insightful, constructive comments that helped me see a few blind spots in my work. I've been singing the praises of having a small community...

1 day ago • 1 min read

This week's creative tip: start with what you have. When I first made short form video 9 years ago, I didn't have any film equipment. That meant I couldn't do elaborate setups or anything beyond what I could capture on my phone. And that was a good thing! I had to use what was around me - like good lighting in my bathroom mirror, which was also an obvious setting to make something magical. What started as using what was around me became a trademark style: boringly average, realistic clips...

9 days ago • 1 min read

https://youtu.be/1EoGX6bT21w This week's message - think big and then figure out the details. Ten years ago, I got really into the hyperlapse technique. It's basically a timelapse, except you're introducing camera movement over sizeable distances. I had recently moved to Portland, Oregon, and thought, "What's the largest thing I could move a camera around?" The answer was Mt Hood. A lot of creative endeavors start like that. Think as big or outlandish as possible and then try to make it a...

23 days ago • 1 min read
Share this post